Light, Still is the third album from Bleeptwig.
It spans ambient and electronic genres with his distinctly impressionist approach, weaving together colour, texture and tone, with blasts of rhythmic intensity.
The story
Light, Still, is a collection of colourful, vibrant pieces full of warmth and energy.
Aspects of light manifest through Light, Still both literally (with tracks full of bright colour, intensity and energy) and figuratively (through cinema projector recordings, sounds reflected as if through a prism, refracted classic beats, and the blurring and transformation of highly visual sound elements).
These concepts are anchored by impressionist textures created through granular synthesis and tape loops that underpin each track - like sunlight finding its way through fabric.
Light, Still spans genres - from ambient, electronic, dub and drum and bass - with a consistent and signature style that defies easy categorization.
Cover artwork and motion graphics by Noah Shipman
About Bleeptwig
Bleeptwig is the moniker of Warren Anthony, an ambient, electronic and electroacoustic musician originally from London, England and now living in beautiful British Columbia, Canada.
Warren started making music in the 1990s inspired by late night ambient radio shows, minimalist techno, and then electroacoustic and classical works. These influences are evident in his impressionistic, gestural style and rhythms.
After a very long break, he returned to making music in 2025 with an electroacoustic ambient piece titled "Unlocked". This really set his creative direction and new way of working. Building upon a largely fixed canvas of sound - like a field recording, or a live and largely improvised modular jam - Warren will work with it to emphasize elements and build out a narrative and movement (sometimes for hundreds of hours) to create something unique.
Warren works primarily with modular synths a mix of analogue, granular, and physical modelling sound sources to generate sonic materials using a range of esoteric controllers - rarely pressing anything resembling an actual note - and then develops pieces through a process of meticulous but intuitively-driven editing.
As Bleeptwig he collaborates endlessly - with musical and artist collaborations with members of the Studio Obscura community, Cities and Memory, the Experimental Music Network and many others, including individual pieces, collaborations, alongside production and and mixing including.